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SDG
Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.
SDG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
Altviool 20 0 7 4 100%
Bariton Bass 20 0 7 6 100%
Continuo Bass 9 0 2 4 100%
Contrabass Bass 10 0 2 4 100%
 
154. Ach Herr, lass dein lieb' Engelein, Joh. Passion (J.S. Bach, BWV 245.40).
SDG
1:39 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
 
2. Die Wetterfahne, die Winterreise, Schubert.
SDG
2:09 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
 
Jesu, meine Freude, BWV 610, Orgelbüchlein no. 12, J.S. Bach. Giubiasco sampleset.
SDG
1:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 20 0 7 5 100%
Flute Treble 21 0 7 7 100%
Violoncello Bass 17 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 20 0 7 5 100%
Flute Treble 21 0 7 7 100%
Violoncello Bass 17 0 6 4 100%
 
36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.
SDG
1:59 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 7 100%
Tenor/Bass Bass 26 0 8 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 7 100%
Tenor/Bass Bass 26 0 8 7 100%
Contrabass Bass 19 0 6 7 50%
Soprano Treble 2 0 0 1 3%
 
'k Aanbid de macht van uwe liefde, Dmitri Bortnjanski. Russian Orthodox style setting, by Gertim (SDG).
SDG
1:31 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
 
Jesu, meine Freude. BWV 610. Organ score. Source: BGA (Bach-Gesellschaft Ausgabe) on 1 A4 (piece of paper).
SDG
1:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 7 7 100%
Pedal Bass 20 0 7 5 100%
Violoncello Bass 17 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 7 7 100%
Pedal Bass 20 0 7 5 100%
Violoncello Bass 17 0 6 4 100%
 
Die Krähe, die Winterreise, Schubert, D.911, No.15 with own vocal recording, sung by Gertim (SDG).
SDG
1:57 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
 
Jesu, meine Freude, BWV 610. Organ score with fingerings and pedalings by BSG and GrandOrgue recording (sampleset Giubiasco).
SDG
1:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 7 7 100%
Pedal Bass 20 0 7 5 100%
Violoncello Bass 17 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 7 7 100%
Pedal Bass 20 0 7 5 100%
Violoncello Bass 17 0 6 4 100%
 
311. Sollt' ich meinem Gott nicht singen. BWV 413.
SDG
1:47 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 17 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 17 0 3 4 50%